Contains mild spoilers but not, in my opinion, anything that would ruin the film.
The full trailer for the second film in the Hunger Games Trilogy (of four films), Catching Fire, has been released! You can watch it here.
I’m really excited for this film for the reasons I mentioned in my write-up for the teaser trailer back in April. You can never fully judge a film by its trailer, which is in many ways an artform of its own, but I think we can glimmer a bit of insight into how Catching Fire may differ from The Hunger Games from it. We know it’s being directed by Francis Lawrence, replacing Gary Ross – he certainly has a tough act to follow – who, I’m guessing, appears to be taking a more cinematic approach to the film. Ross intentionally made The Hunger Games a rough, very handheld adventure from Katniss’ viewpoint. Perhaps as the story begins to take a larger significance and move away from being solely Katniss’ experiences this is the natural route.
I’m also pleased that the trailer appears to be focusing on the message of the story. There’s a temptation to glamourise the film, discuss Effie Trinket’s stunning fashion style (which completely defeats the point of her; she’s supposed to be hideous), and turn this into a Twilightesque love story. Instead the trailer emphasises that trouble is brewing in Panem – that the social order is slowly beginning to catch fire from the spark Katniss provided.
That said, I have one issue with the trailer. Structurally the novel is very similar to the first book, so therefore the film will inevitably be too. This is fine – the events occur under completely different circumstances and have different significance. However in the trailer, for simply a casual viewer of the films it will appear in some ways to be a carbon copy of the first film, with even the very same shots and lines being included. Again, when you actually watch the film (I hope) each of these scenes should highlight a difference, but it’s difficult to get that across in the trailer. This is why it’s possibly a mistake to focus entirely on the first half of the film, though I can appreciate why the action-packed second half is being kept under wraps.
I can’t wait to watch it, anyhow! *cough* IN EDINBURGH *cough*.
After reading the entire Hunger Games trilogy by Suzanne Collins over a weekend roughly a year ago, I became aware of the Battle Royale franchise, created over a decade ago by Japanese writer Koushun Takami. Both deal with the same grisly topic: a group of teenagers thrown into an arena forced to battle one another to the death (actually, this is a horrific concept; how did it ever become so popular?!). Collins has been accused of stealing the idea from Takami though she claims to have never heard of the franchise. I was able to compare them myself when I found the manga at my local library and dove through them. My clear favourite is The Hunger Games, though that’s mostly because I struggled with the sickeningly graphic content of Battle Royale, often skimming entire chapters to avoid it. But this aside, there are various interesting points of comparison.
The stories differed in their treatment of characters. The Hunger Games spent a large amount of time developing the central characters of the trilogy, forcing the audience to really invest in their struggle. Battle Royale, in contrast, would develop each character to the same extent and then, in most cases, kill them off shortly afterwards. This created a ‘shock factor’ but became tiring after a while, making me reluctant to care about any of the characters. The Hunger Games did this too, most prominently with Rue, but I feel Collins handled it better. However once the characters had been established it’s up for debate which franchise dealt with them better. I think they’re generally equal in this respect; The Hunger Games’ Katniss, Peeta, Gale and Prim are all very rounded characters, while a significant number of supporting characters also seem to have depth. I would argue that Battle Royale does well in establishing Shuya, Noriko, Shogo, Mimura, Sugimura, Kiriyama and Mitsuko, but the rest come across as a little two-dimensional, having just one defining characteristic such as ‘frosty’ or ‘elitist’.
In Battle Royale there’s a clearer divide between the students who are ‘playing’ the game and those who refuse to go along with it. This idea is briefly present in The Hunger Games where you have ‘Careers’, who volunteer in order to win, then just those who are scared and run, but I do like Battle Royale’s focus on battling the government. Mimura makes a bomb to target the base of operations and the story ultimately ends with the slaughter of the game planners. Katniss’ desire to simply keep her family alive fits with her character and I’m not criticising it, but as a reader the rebellion in Battle Royale was more fulfilling. That said, the subtle approach of The Hunger Games is also commendable. Katniss causes riots in District 11 through her televised honouring of Rue in death, and the country is brought to the brink of a full-scale uprising after she and Peeta attempt suicide to deprive the government of a winner. This develops in the subsequent novels, with a large group of tributes in Catching Fire refusing to ‘play’ and planning an escape. So it’s difficult to say which approach I preferred.
One issue I had with the characters of Battle Royale was the attitude towards female characters. With a couple of exceptions they were generally treated either as weak characters dependent on the boys or sexual objects. This particularly bothered me every time Shogo told Shuya to “protect Noriko.” It was Noriko who ultimately shot Kiriyama, fatally wounding him, but this is the exception. Katniss, in contrast, must be among the most resilient and able characters in the entire trilogy. Characters in general felt more realistic in The Hunger Games – girls were neither simply ‘weak’ nor ‘strong’ and the male characters ranged from fierce bullies like Cato to the softer personality of Peeta. A contrast might be made between Peeta and Shuya, both being idealistic and loving characters. I can’t pick a preference between them.
Both stories present fascinating dystopian worlds. The Hunger Games is set far in the future in a society built from the ashes of the USA, while Battle Royale is set in Japan in roughly the present day that developed along an alternative timeline. Both use their respective games to instill terror in the population and keep them in their place. Though I couldn’t help noticing the dangers of both systems in provoking the population into an uprising. This concept is eventually explored in The Hunger Games, where Katniss’ actions do provide ‘the spark’ for civil war. This indicates that Panem is near the verge of collapse by the beginning of the story, which I believe is partly a consequence of The Hunger Games providing a *major* grievance for the non-Capitol majority. The Capitol’s strategy to rule solely through fear is what ultimately destroys it – though that’s a discussion for another day.
Interestingly, I believe the original Japanese version of Battle Royale does not include The Program being a TV show. This solves many inconsistencies I found in the (somewhat sloppy, I have to say) English version. This could be one reason why the government is more stable; The Program is less prominent and more of a myth. Like how the Nazis deliberately released prisoners from concentration camps to spread stories and fear throughout the population, The Program serves as a stick to batter fear into the population, preventing them from speaking out in case their children are targeted. Indeed, there are no signs that the government is under any threat throughout the story. The Hunger Games explores the political and social situation of Panem more thoroughly than in Battle Royale, but both provide fairly realistic societies. However it’s worth noting that schemes like The Hunger Games or The Program have never to my knowledge actually been tried in history; the closest example I can think of is forcing slaves to fight to the death in Ancient Rome.
In terms of the world outside of the totalitarian state, Battle Royale is a clear winner. I was always frustrated by The Hunger Games’ lack of any detail regarding other countries in the world. Despite being set in a semi-post apocalyptic world, they live in a mostly functioning society which would suggest that the planet is capable of supporting life elsewhere. I don’t see why they shouldn’t have the capabilities to contact these other nations. It makes the story simpler and perhaps more coherent when Panem is the only country, but it’s less convincing. On the other hand I enjoyed the discussion in Battle Royale about escaping to the USA, and the idea that Japan was viewed by the rest of the world as a crazy, rogue state. It’s also hinted that the world doesn’t know about The Program, suggesting the depth of Japan’s hermit status – rather like North Korea in our world today. Battle Royale ends with Shuya and Noriko successfully escaping to the USA, though I’d like to have seen more of the international reaction to their testimonies. So neither is perfect in this field.
Overall, both The Hunger Games and Battle Royale provide great portrayals of the same concept. I can’t comment on the way they developed the ideas due to one being a trilogy of novels and the other, in the form I read it, being a manga. As I said my overall preference is for The Hunger Games, but Battle Royale certainly takes a different perspective on many themes. Both are worth reading, though Battle Royale isn’t for the faint of heart.
The Hunger Games: 9.5/10
Battle Royale: 7.5/10
See this essay for a a similar comparison which comes to a contrary conclusion.
Yesterday, the long awaited first glimpse into the film adaptation of Catching Fire, the second book in the Hunger Games Trilogy, was released. It can be watched here
From this brief look, I really like what they’re doing with the film. Like the trailer for the first film, it doesn’t actually show any footage of the actual Hunger Games itself, which definitely keeps fans excited to find out more. I also think it’s really good that the trailer emphasises the aspect of Panem being a country on the brink of revolution and civil war. This isn’t really surprising, considering the title Catching Fire itself is a metaphor for the beginning of the uprising, but considering the amount fandom obsesses over aspects like the Katniss/Gale/Peeta love
triangle, it’s welcome to see. In some ways, it’s unusual that a story so political and bleak in nature, realistically dealing with the themes of tyranny, dictatorship and civil uprising (hence why I love it so much) has gained such universal popularity – but I’m very glad it has.
I highly look forward to further promotion for Catching Fire and, eventually, the film itself.