Thoughts on The Great Gatsby (2013 Film)

Contains spoilers.

 

This won’t be a full review, due to my lack of concentration at some parts as a result of it being my first 3D film and also the fact that I haven’t read the original 1925 novel by F. Scott Fitzgerald, nor seen any of the other film versions, which I feel I’d need to experience before making a full assessment of the film.  I walked in blind, as it were.  It’s directed by Baz Luhrmann, who I’m told is a skilled director, and has previously directed Romeo + Juliet and Australia, neither of which I’d seen but had heard a lot about.

To me, the most thought-provoking aspects of the film is its themes within the historical setting.  Set during the Roaring Twenties, a period of unparalleled economic growth within the USA following the First World War (and preceding the inevitable collapse of the system in the 1929 Wall Street Crash), this was the period of jazz, of unenforceable prohibition and of corruption.  The film certainly glorifies the nightlife scene of New York in 1922, showing a seemingly endless sequence of parties, pleasure, alcohol and chaos.  It’s certainly atmospheric, but my main reaction was thankfulness that I never lived during this period!  The film encapsulates the changing moral landscape of the time, which is also expressed through the romantic relationships characters form.  Gatsby, Daisy and Thomas all participate in extramarital affairs, while Nick and Jordan’s fling begins in an alcohol-fueled party.  The film is no advocate of the sanctity of marriage, and it’s fascinating to see society’s change portrayed so successfully.  The importance of money within the film also stood out to me – scenes are littered with references to the gap between the wealthy and the poor.  Indeed, the crux of the film lies around the idea that Gatsby did not feel worthy of Daisy’s love until he had made something of his life.  It’s difficult to say whether the book’s message was for or against this individualist, ‘dog-eat-dog’ culture; the novel would really need to be read  to say for sure.

A result of many of these themes is that I personally found it difficult to relate to many of the characters.  I struggle to understand the forces which drive the characters in their greed and their lusts.  Why does Gatsby see such an importance in money?  The parties, the affairs… I had the same problem with Othello, leaving me wondering whether it’s flaws in the writing or flaws in me.

There are many comparisons to be made between the period the film is set and the society of today.  Economically, the excesses of the 20s bear a lot in common with the economic book experienced in the early 2000s, only to be shattered by a financial meltdown in a similar way.  The same values of individual profit, private enterprise and the ‘American dream’ still dominate today, despite having been proven fundamentally flawed again and again when unregulated.  Ultimately, it’s Gatsby’s need to attain individual economic success – which he achieves through the illegal distribution of alcohol – that proves to be his downfall and prevents him from experiencing a happy ending.

Despite my feelings towards the characters, I can’t deny they are well written and acted.  Hearing the lyrical lines many were given made me want to read the novel, even if the eventual plot and themes had the opposite effect.  I was surprised by how likeable a character Gatsby proved to be; I imagined he would be a flawed, irredeemable character, but I was mistaken.  The character is possibly even portrayed as too virtuous.  He’s brilliantly acted by Leonardo DiCaprio, who always impresses me with his diversity.  I also enjoyed Tobey Maguire as Nick Carraway, the story’s narrator – the only character I personally believed to be realistic.   Daisy is well acted by Carey Mulligan, although her role in the story rather annoyed me.  She is viewed as an object, as a prize, by the men who compete over her.  Never is this clearer than in the confrontational scene, where they both cry variations of: “She is mine!” “she loves me!”  That wouldn’t necessarily be a problem, except she is there with them and says nothing.  She cries a bit, then wanders off, then is all, “oh, don’t make me choose.”  But essentially, it’s a confrontation between Gatsby and Tom over Daisy, in which she has no input.  I appreciate these were the values of the society at the time, but it still irritates me.

It was an interesting decision, in setting up the period, to use modern music.  In the soundtrack can be found names including Beyoncé, Florence + The Machine, Lana Del Rey and André 3000 (presumably a rapping robot – or sounds like one at any rate), all of whom are generally in the charts right now.  The obvious decision would have been to go for 20s jazz music to set the period but, oddly, modern pop music kind of works.  It establishes that this is a period of partying and excess, ideas that most pop music today push forward.  I don’t like the music, but it works.

Finally, I was quite impressed by the levels of detail and symbolism present in the film.  Little touches, like that optician billboard symbolosing the ‘Eyes of God’, judging characters and disapproving of their lifestyles, or the green light across the bay acting as a source of hope for Gatsby, make me realise how The Great Gatsby became a literary classic.

Overall, I have conflicting feelings over The Great Gatsby.  I kind of liked it and disliked it at the same time.  Visually, it’s beautifully directed by Luhrmann, but I’m unsure of how I feel about the central concepts of the story.

Final rating (if forced): 7/10

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3D Films

Yesterday I went to see my first 3D film at the cinema! (The Great Gatsby, which I may post my thoughts on depending on whether I have time and can think of enough points).  Until then I had always resisted what I considered – and still do – to be a temporary fad.  I was worried it would be a dizzying, uncomfortable experience, one I couldn’t escape from for 2 hours.  But The Great Gatsby seemed like a fairly safe first experience.  Okay, alcohol and wild parties are horrific enough in 2D, but other than that…

In the end, my experiences were mixed.  I think at first I was underwhelmed.  Rather than really projecting a three-dimensional image, the screen was just a series of two-dimensional layers played in front of one another – a bit like overlapping shadow puppets but with more details.  Some shots were impressive – snow and splashing water did appear to come out of the screen, but it was in a very crude way.  I almost felt I could see a kind of haze around the different layers.

What’s more, I found myself developing a migraine as the film progressed, due to constantly shifting my perspective in an attempt to keep up with the varying focuses.  Very often the foreground layer would be out of focus to emphasise an element of the background – a technique which works fine in 2D – that became incredibly dizzying.  I spent about half an hour shifting the glasses on and off, trying to figure out whether it was more watchable without them.

For the second half my eyes did adapt and I mostly stopped noticing the fact the film was in 3D, but that’s possibly down to the film not ever truly utilising it.  If a film doesn’t make much use of the 3D features, what’s the point in screening it as so?  That said, I’m not complaining.

To summarise, having experienced 3D films, my opinion hasn’t improved much.  I find them to be just about watchable if 2D isn’t an option – and very often it isn’t.  For some reason, our local cinema seems to show films in 3D as default, then add a few token 2D showings just for weird people like me who don’t like 3D.  I hope this isn’t endemic to all cinemas.  Hopefully this fad will end soon.